2011

Monday, May 23, 2011

Please go somewhere else

Please go to my new blog at www.agathagothesnape.com.

Sunday, May 22, 2011

Friday, May 13, 2011

Tuesday, April 12, 2011

Sunday, April 10, 2011

Tuesday, April 5, 2011

Sunday, April 3, 2011

Choreography with Yellow Lines

Wednesday, March 23, 2011

Buy a Print, Support Firstdraft

http://firstdraftgallery.com/get-involved/print-edition/

Edition of 25 printed at Big Fag Press at Firstdraft Depot.

Thanks to Lionel and Diego!

Monday, March 21, 2011

Monday, January 31, 2011

Monday, August 23, 2010

COME CRUISE WITH US

THURSDAYS 3-4PM

SATURDAY 3-4PM

MUSEUM OF CONTEMPORARY ART

SYDNEY NSW AUSTRALIA

THANKYOU TO OUR PRE TRAINED CRUISERS

KATE MITCHELL

DIANA SMITH

KELLY DOLEY

SHANE HASEMAN

LIZZIE THOMSON

TIM BARBER

JACKIE DENT

MICHAEL SNAPE

EMMA RAMSAY

ANNA JOHN

JESS OLIVIERI

KATHRYN GRAY

PAUL GAZZOLA

AND LAST BUT CERTAINLY NOT LEAST

SARAH RODIGARI

SOME RESPONSES TO CRUISING

Hi Brian/Agatha

Once again i feel a need to express how much i love cruising.

it's like something really important happened and then i have to walk around with it

and it's hard to express it to other people but very easy at the same time. like something

has happened that has somehow changed me as a person, moved me to a new level, some

pivotal expereince in my life, that's what i tap into when i'm cruising. i try and hone in on that

exact feeling and just be it for the time that we are all there together. i like being in that space

very much.

anyhoo i guess i just want to say that i am soooo excited to be apart of it.

As i am in noosa town, recharging my batteries and thinking about things, if it's at all possible

for my top/pants to be dropped off at the Greedy Hen studio which at 259 Riley street surry hills,

above the old Wren gallery. (it's up the stairs, entry on riley street - down the corridor, second studio on the

the left number 6), that would be amazing. If not i'm happy to coordinate something else with you two

lovelies.

I look forward to friday

xoxo

kate

CRUISING WITH WRONG SOLO

(CLOSE YOUR EYES). STAND UPRIGHT. LENGTHEN YOUR

SPINE. IMAGINE YOUR HEIGHT.

(OPEN YOUR EYES). SEE THE FIRST THING YOU SEE. MEET

THAT THING.

NOTICE THE COLOUR OF THE AIR. LET THAT COLOUR COME

INTO YOU. COME OUT TO MEET THAT COLOUR. NAME IT.

TAKE A STEP. TAKE ANOTHER. WALK. WHAT COLOUR ARE

YOU? IS IT DIFFERENT TO THE COLOUR YOU WERE BEFORE?

HOW MUCH SPACE IS THERE BETWEEN YOU AND THE WALL?

HOW MUCH SPACE IS THERE BETWEEN YOU AND YOUR

FRIEND? BETWEEN YOU AND THE STRANGER?

PAUSE.

BREATHE.

CONTINUE TO WALK. DON’T WORRY ABOUT IT. YOU ARE

ALREADY DOING IT. THIS IS CRUISING. CONTINUE TO CRUISE.

PAUSE. REMEMBER TO BREATHE. NOTICE THE COLOUR OF

THE AIR. NAME IT. NOTICE THE SPACE BETWEEN YOU AND

THE WALL. NAME IT.

TRY NOT TO WORRY. YOU WERE ALREADY CRUISING BEFORE

YOU BEGAN.

CRUISING IS NOT THAT DIFFERENT TO WALKING.

YOU ARE CRUISING NOW.

Want to know more? Meet WRONG SOLO here at the following times:

Thursdays 3 – 4pm

Saturdays 3 – 4pm

Monday, June 28, 2010

WRONGSOLO PRESENTS RONGSOLO

CAMPBELLTOWN ARTS CENTRE

INTERDISCIPLINARY PROJECT STAGE 2

STAY TUNED FOR STAGE 3 WITH PRESENTATION IN EARLY

2011 (YEAR OF PLANNING AND ORGANISATION)

Wednesday, April 7, 2010

THE COSMIC BATTLE FOR YOUR HEART

Monday, March 22, 2010

Text by Brian Fuata for WRONG SOLO

SATURDAY 27^TH FEBRUARY IS WRONG SOLO (AGATHA GOTHE-SNAPE)

Set in our house at 138 Evans Street, Rozelle.

Today’s situation is the ‘centre’ of this amorphous body of performances – I understand this paradox.

WRONG SOLO (the re-union of myself and Agatha Gothe-Snape) is this body’s extended phenotype.

…The I is someone else.

A duet of two solos – living parallel and simultaneous.

A wrong solo corrected in osmosis, a molecular challenge to the author; a collaboration as a late night confidant of ten years of friendship.

WRONG SOLO AS A DIRECTIONAL MAP.

FEELINGS flashed by powerpoint at a fork in the road, the splintered roads end at roundabouts. These roundabouts led us back to the fork, back to a ‘centre’.

The uni-road that leads us here is the indefinite nexus of our feelings about the world that we live. Earnest, brutal, simple, felt, rigorous and romantic are we on this road – a road which may lead our horse and cart interchangeable as both carrier (horse/cart) and the carrier’s carrier (cart/horse). The cart drawing the horse. The phenomenology of the traveller on the road - the road in the traveller.

WE COME IN TO THE ROAD. THE ROAD COMES INTO US.

WE COME INTO THE WORLD. THE WORLD COMES INTO US.